Showing posts with label Top Fives. Show all posts
Showing posts with label Top Fives. Show all posts

Top 5 Worst Couples

What makes for a bad couple? In the real world you can put it down to how insufferable they are to spend time with. The kind of couple that are either forever whispering sweet nothings into each other’s ears half the fucking night like simpering nitwits, or those smug weirdos that seem to have gestated from the same foetus, wearing the same clothes and having the same views and looking down their superior noses at the world. Fact is, there’s a ton of reasons why certain couples will bug the hell out of you. Shit, chances are if you’re part of a couple then someone, somewhere, hates the two of you together.

The good thing about being in a couple that everyone hates, of course, is that you at least have each other. The defining point about all of the couples on my Worst Lost Couple list is that these people don’t even have that. Not only were they not right in the eyes of everyone else, they were so not right they didn’t even manage to stay together! That’s what makes them the worst. Here are my Top 5 in order of least worst to worst worst.

Sayid and Nadia

You know that time when Jacob stopped Sayid to ask for directions? And Nadia then wandered out into the road and turned to talk to Sayid and got hit by a car and was killed? And how we all thought that potentially Jacob was a bit of a swine for having been involved in this unfortunate event? Perhaps we’ve got it all wrong. Perhaps Jacob was doing Sayid a favour.




I mean, sure, Sayid and Nadia may have been introduced as destined for one another since they’d gone to school together but come on. Is that really enough of a foundation to base a relationship? Not really. And neither, I suspect, is forming a relationship based on the torturer-tortured dynamic. If Sayid was any kind of proper Iraqi patriot he’d have dunked Nadia’s hands in acid, clamped crocodile clips to her nipples and run the volts of a car battery through her and then got to work with some amateur dentistry using pliers. She was a traitor! She was planting bombs about the place! And what does Sayid do, the dumbstruck idiot, he lets her go! He even takes a bullet for her to cover her escape! What a sucker, right?

And we’ve not got the full story about Nadia either. She fucking crops up buying a house in America, getting her ass mugged in London and may have even been working for one of Widmore’s pharmaceutical companies (special Lost points to the fan that can name the episode where I got that piece of information from).



Point is, I don’t trust her. She’s up to something, and her turning up all doe-eyed and happy when Sayid “Oceanic Payout Millionaire” Jarrah turns up doesn’t make me any less cynical.

But hey, this is all about how they are as a couple, right? Well pardon me but Sayid has hardly been a paragon of faithfulness. See exhibit A:



To be fair, this is Shannon we’re talking about. That bitch be smoking. And he was facing the possibility of being marooned on a desert Island for the rest of his life. Shacking up with a hot blonde early doors was a pretty slick move, but hardly in keeping with the idea of Sayid and Nadia as postcard heartthrobs.

Point is I don’t particularly trust Nadia and I don’t trust Sayid’s motivations for getting with her (some fucked up childhood sweetheart torturer complex is not the bedrock of a great relationship). They don’t make a good couple. Ergo, Jacob did Sayid a favour.

Charles and Eloise

The only reason this pair haven’t stormed up to a higher position in the list is purely on the basis that we haven’t been shown quite enough of them together to produce an entirely damning account of what they were all about. But what we do know is messed up enough to damn them all the same.

Let’s recap what we do know. Charles and Eloise were once young and on the Island as minor ranking members of The Others.



At some stage during this time they got together and, whilst doing so, managed to elevate themselves into some strange position of joint chiefs of The Others. (I bet there were a lot of pissed off Others who hated them as a couple right around that time!) They had some sex. Daniel was conceived. It’s unclear about whether he was born on the Island or not, but it doesn’t really make much difference here. To be fair, given the slightly protective way Charles put his hand on Eloise’s stomach just before she went off on some crazy-ass mission with Alpert and Jack, it’s clear there was some affection.

But let’s not get carried away.

It eventually transpired that Charles had been making visits off-Island to bang some other, unknown woman, that eventually produced baby Penny. We don’t know who this other woman is but it doesn’t matter (at least so far!). Charles went and got himself banished off the Island as a consequence. At some stage Eloise went and lived off-Island, too. I get the impression she was gone before Charles was banished, but that’s total speculation.

So that’s the story so far. Now the reasoning why they made for a rotten couple. First up:



“Thanks a bunch, mum.”

Yeah, Eloise is some mother. Knowing that she eventually shoots her own son she raises him up entirely in a manner than ensures he gets to the Island, fully-versed in time travelling lore, so he can get a bullet for his troubles. Widmore himself even turns up to get him on The Freighter that takes him there. Nice work, dad. Meanwhile there’s Charles making such a great fist of raising his daughter she goes behind his back to find the Island, rescue the man of her dreams and then never have anything more to do with her father again.

Parent role models they are not.

But inherently that’s their trouble. In their own twisted way I believe they aren’t fundamentally bad people when it comes to the people they love. Eloise loved Daniel, and there was a sad tragedy about how her life played out. Charles, too, evidently cares intently for his daughter to the extent that him being cut out of her life, and the life of his grandson, almost makes me feel sorry for him. And maybe that’s what went wrong with the pair of them as a couple: they cared for each other but they were just fundamentally bad at making it work.



As their bitter meeting at the end of The Variable shows, these were a couple split apart by a duty to the Island and the sacrifices they made in service to it. Somehow I get the feeling there isn’t a reconciliation on the horizon for this pair.

Boone and Shannon

I think you can already see where I’m headed with this. OK, so they weren’t properly brother and sister but they both knew it was wrong.



Come on, Boone. We know your step-sister is hot. When your mother got married and Shannon was slung into the deal you probably couldn’t believe your freakishly blue eyes. But that’s not good enough reason to sex pest the girl into bed. Shannon was a mess. Her dad was dead. Your wicked witch of a mother had denied her any rightful inheritance. And then you waltz in with your knight in shining armour headgames and she finally gives in, not altogether willingly, and you bone her. Nice.

Not that I am letting Shannon off here, either. She’d already become well-versed in the art of being a major cocktease to get what she wanted. But that’s no reason to just give in and let your lovesick, half-brother turn up and fuck you!



Fair enough if this night of passion between the two had forged a special loving relationship, forbidden as it was, where their love was so strong it could not be denied by social taboos. Only that’s not how it turned out. They bickered all the way onto Oceanic 815. Bickered some more. Then Locke told Boone to get over her, and he did, and that prompted him to get in a small plane and fall off a cliff in it and be killed. And then Shannon got all emo for a while before shagging Sayid and getting shot and killed.

Moral of the story: Don’t fuck your brother or sister, even if there’s a bit of a grey area about their sibling status and they’re really hot.

Paulo and Nikki

Riddle-me-this. Who was the most disliked out of Paulo and Nikki? Answer: Paulo.

This line of logic is relatively easy to figure. As Nikki and Paulo have been universally considered as a couple ever since the moment they appeared, they have only ever been discussed as a twosome. As in, what was the worst thing about Season 3? Nikki and Paulo. Not just Nikki. Never just Paulo. It’s always the two of them together.

So taking the point that the pair of them are universally equally disliked, how can I determine that Paulo is the most disliked? Easy. Paulo actually liked Nikki. Nikki didn’t particularly like Paulo. Ergo, Paulo is the most disliked out of the two. Poor Paulo.



To be fair I personally prefer Nikki as well, mainly because of this:



As events transpired they pretty much turned out to be the poster couple for how amorality will ruin romance. Paulo loved Nikki. Nikki loved diamonds. Paulo hid the diamonds to keep Nikki loving him. Nikki found out and left him paralysed in the jungle. As you do. Only then she got herself paralysed (potentially by some kind of Black Smoke interference, if you believe the noises you hear during that scene) and the pair of them, with their precious diamonds, were buried alive.

Fun times.

Even before they boarded Oceanic 815 Nikki had been banging some old guy and Paulo was posing as a waiter who poisoned his food – they were thieving, murderous cheats right from the get-go. A bit like Sawyer, in fact. But where Sawyer got a redemptive plot arc Paulo and Nikki came in to the game too late to ever be given a chance to right their previous wrongs on the Island.



Nikki and Paulo, even by the producers, have become the archetypal example of when Lost was at its most shite – when the programme was spinning its wheels desperate for an end-date and padding proceedings out with new ideas that weren’t always sure to work. And the ultimate kick in the face for these pair is highlighted in the promo poster for Season 6.



Look at all those old faces. Mr. Eko. Ana Lucia. Boone and Shannon, even! Even Libby gets a look-in, and she didn’t even get her own centric episode! But no Nikki and Paulo. The Lost couple so bad even the creators can’t be bothered resurrecting them from the dead for the last and final season along with pretty much every other fucker else.

Jack and Kate

Let’s get something straight right from the top. I like the idea of Jack being the leading man of Lost, and his story being a grand arc that ultimately results in him being heroic and good. Furthermore, I want him and Kate to get together and be the golden couple of the show. I am a Jater. You don’t like that? Here’s my asshole. Dine out.

Jack and Kate living together in love forever, happily ever after: That’s what I want and hope for. But what I’ve got, as of the end of Season 5, is the exact and precise opposite. Jack and Kate are a couple that went all kinds of wrong and yet because of their status, because they are the ones that should have gone every kind of right, this is why they have topped my list as Lost’s Worst Couple.



I’d like to say that the only reason they failed was because they got together in flashforward, post-Island land, when the world was an unhappy place for the Oceanic 6. I’d like to say that, but it’s not true. The seeds of an unhappy union were all present and correct back when they were on the Island.

They fell out when Jack wanted to move into the caves and Kate didn’t. . . They fell out when Kate lied to him as she tried to use him to get the silver case she wanted. . . When they first kissed in the jungle – when Kate first kissed Jack – she then backed off and left him confused. And then not long after she was clambering all over Sawyer’s dick. On CCTV. For Jack’s viewing pleasure.



Not that Jack is entirely without blame either. Consider:



Neither of them made a particularly grand job of their previous marriages either. Jack and Sarah was a lamentable slide into unhappiness, and Kate and Kevin (remember him?) was soon over, pretty much after Kate drugged him and ran off. If anything Jack and Kate deserve each other purely on the basis that they’ve been dicks to pretty much anyone they got romantically involved with in the past.

Tom Brennan, Kate’s childhood sweetheart, shot dead in a car, springs to mind.

In flashforward land Jack still fancied Kate but couldn’t quite get his head around the fact that she had nicked someone else’s baby and was passing it off as her own. He gave it a whirl, mind, but finding out that Aaron was more closely related to him than the person professing to be his mother has gotta mess with a man’s head!



Jack turned to drugs and booze. Kate started lying, making strange phone calls and keeping secret appointments. They didn’t do themselves any favours, did they? And so they fell apart and, barring one bizarre fling after Kate had ditched Aaron with his grandmother (she does like to get some hard dick during times of emotional turmoil!), they were basically the couple that should have it all and instead had royally fucked it all up.

So they’re the worst couple by default. They should be the best yet through their own actions they’ve made a disaster site of themselves and so are the worst.

Kate: “You know, I don’t like the new you. I liked the old you, who wouldn’t just sit around and wait for things to happen.”

Jack: “You didn’t like the old me, Kate.”


It all sounds pretty hopeless, all set down like this. But let’s not lose hope. Remember The Incident, when a battered and bloody Jack was hellbent on marching to The Swan site to detonate Jughead. Who was there? Kate was there. Looking to tend to him and be with him even though she thought he was getting things all wrong.



I’m telling you, they’re going to get together and it’s going to be beautiful. And when Lost is all finished and done you’ll be able to go back to the start and watch that first scene of them together, on the beach, her stitching his wound, and you’re going to realise you’re watching the start of a wonderful relationship. . .

Top 5 Best Couples

Lost has, surprisingly, given us quite a number of couples to root for, but upon what criteria am I to fashion a list of what I consider the best? It’s not an exact science, all this falling in love and staying together forever lark. But the best couple can perhaps be measured most effectively by imagining how awful it would be were they apart. Throw in factors such as the nature of their getting together, the lengths either of them have gone through to overcome whatever obstacles were in their way, and just how damn good they look and feel together on-screen I think we can arrive at a Top 5. I did. Here it is. In order of ‘least best’ to ‘best best’.

5. James and Juliet



See, I’ve always kinda liked Juliet. And I don't just mean her tits. Way back when people were slating her as a mistrustful, manipulative bitch, I got involved in online debates defending her honour and decency (FYI to those that argued against, you’re all dicks). From the moment we saw her in Not In Portland, with an ex-husband cavorting with some other woman in front of her, to how she was talked into coming to the Island under false pretences and kept there by a lovesick Ben, Juliet is a woman that has taken some hard knocks and toughened up as a result.

She’s getting some good lovin’ from Goodwin, for example, and then he goes and gets himself impaled on a skewer. And for a while it looked like she might be getting something going with Jack, only for him to backflip away towards Kate before growing a beard and hitting the hard stuff. Juliet, frankly, needed to catch a break.

And then in wanders Island-Lothario Sawyer, the one guy who has had more poontang on the Island than anyone, and the pair of them are stuck together on the beach watching the black smoke of the exploderised Freighter, and you just knew they were going to get it on. She was the only hot piece of ass left, after all. And, let's face it, those tits are worth a go.



They made for a good couple, too. Slightly hard to swallow, perhaps, but only because Sawyer became some kind of new man back in the 1970s, turning up with flowers back at his cosy house whilst Juliet played the good housewife.



It all felt too good to be true and, on Lost, that kind of situation don’t last. I didn’t doubt Juliet’s sincerity, mind, but as is usual for her she can’t catch a good man for love nor money. Kate comes rocking up from the future no less and messes up everything. I mean come on. You’ve gotta count yourself as pretty unlucky in love when the only woman that can take your man away is a fucking time traveller. And so it’s because of Sawyer’s dumb devotion to Kate and him unable to know he’s got a good thing right under his nose that relegates these two to least best couple on Lost.

As a punchline, Sawyer of course realised that it was Juliet he rather liked after all. Yeah, when she was about to be sucked into an electromagnetic abyss, that’s when his realisation kicked in. I’m sure the eye-rolling, should’ve-known-better irony of that wasn’t lost on Juliet as she slammed a rock into a hydrogen bomb.



Men are pigs.

4. Daniel and Charlotte

OK, so they didn’t really make it as a full-blown couple. I mean, there are hurdles to overcome in any courtship, for sure, but some hurdles – such as flipping around in time until your brain bleeds out of your nose – are hard to get around no matter how much you love someone.



That's the kind of expression on a woman's face that's gonna kill your hard-on, for sure.

But if the measure of a good couple is to be based on the devastation of them being apart then few can match these two. Well, Daniel, anyway. He went off the rails so much so that he decided that whatever happened, happened was a crock of shit and, yeah, for sure, he could fucking go change history and alter the course of the universe after all.

Remember Superman: The Movie? When Lois Lane died in her car during an earthquake and Superman got all pissed off and went and flew around the world backwards really fast and made it turn the other way and reverse time so he could save her after all? Daniel's reaction was a bit like that. Only a bit more realistic. (But not by much.)



The trouble with these two is that they weren’t really given chance on-screen. Season 4 was the one where Daniel’s quiet affection for Charlotte was shown through, and her coy knowing of it was quietly charming. But it was hard to give that interplay justice when the whole season had been cut short by the writer’s strike so giving the new characters about five minutes per episode to make their presence felt.

So I am basing this reasonably decent showing in the best couple stakes purely on the basis of what they would have been had they both, you know, not been killed. And hey, this is Lost. For all we know they could come back somehow. A bit of time jiggery-pokery there, some Island-healing here, and before you know it they’re the king and queen of the Island living and dying happily together to end up buried in caves with a black and white stone each.



Who are the skeleton cave couple? Chaniel! Hey, don’t write it off. Stranger shit has happened.

3. Bernard and Rose

These two should have had it sewn up. Best couple on Lost? No problem. These two have their own little picture beside the word ‘devotion’ in the dictionary. From Rose sitting apart from the group in the very early episodes, convinced Bernard was not dead, to the eager look of unending gratitude in Bernard’s eyes when Sawyer told him Rose was still alive (a moment that still chokes me up like a big sissy bitch) these two were a quietly epic love story.

Their reunion, when the fragmented remains of the tail section group made it to the beach camp, was a glorious moment.



And then Lost went and ruined everything. It went and gave them their own flashback episode - S.O.S. - and it was a massive pile of retarded shit. Before this episode we were all sold on the idea that Bernard and Rose had been together forever. You tell me they were childhood sweethearts, I’m totally on board. Indeed, it was the very idea that they had been together for years that made their being apart on the Island all the more heartbreaking.

And then S.O.S. pitched up with the ‘revelation’ that they had met only shortly before the crash, having rushed through a wedding because Rose was dying of cancer. There’s a semblance of romance to that, I’ll grant you, but frankly the story of Bernard having been married to Rose his whole life and, stricken by the thought of losing her to cancer, arranged a trip to the spiritual healer in Australia makes for a better story. Rose lying to Bernard, telling him it had worked, would have been even more bittersweet.



That would have been love. Proper, grown-up, deeper than most ever know about love. They could have taken every emotion the audience had about these two as a couple and put it through the wringer and had us all sobbing buckets in our homes with that episode. Instead they cheaped out, and diminished their worth. (Don’t even get me started on how dumb it was that they were a part of the expedition to get rescued at the end of Season 3 when they both knew leaving the Island was a death sentence for Rose and they had vowed to remain there no matter what.)

That they were last seen happily forging a life together is, at least, some redemption. Content to see out the rest of their days together, with Vincent, regardless of whatever nuclear detonations might be lurking round the corner. Now that’s love!



The pair of them look like they could use a good wash, mind. Love may be blind but, when it comes to these two, it appears it's also lost its sense of smell.

2. Desmond and Penny

Probably if it wasn’t for Season 5 these two might have nicked the top spot (you can probably figure who has got it by now). Possibly it’s because the two episodes Desmond and Penny have primarily featured in (Flashes Before Your Eyes and The Constant) are two of Lost’s very best which prompts them to be so endearing.



Desmond’s devotion to Penny does strive towards something immense. The guy set out to win a round the world boat race to win her hand, for God’s sake! No flowers, chocolates or poetry for this guy! Oh no! And when it came to turning the Fail Safe, potentially the end of his life, his last words were, “I love you, Penny.” The guy was so enthralled with this woman his dying word was her name. Man, he's got it bad.



Except he didn’t die, and instead his consciousness went back in time and provoked a semi-tragic story of a man doomed to repeat the mistakes of his past as he succumbed to the fate he knew awaited him and spurned Penny’s hand in marriage, condemning himself to the Island and pressing that bloody button. His mournful lament to go back once he returned to the Island is, frankly, one of the most profoundly despairing moments Lost has ever given us.

But the real cementing of Desmond and Penny reaching top flight status as Lost’s premier couple was in the creation of a whole new romantic term:

What does one Lost fan say to the Lost fan they love?

“You are my Constant.”

Aww. A bit geeky, obviously, but worthy of an awwww all the same. I actually tucked the phrase into my wedding speech, believe it or not. Absolutely no one knew what the fuck I was talking about, of course, but I didn't care. This expression of affection is borne out of Desmond’s saving declaration, nominating Penny as his Constant – the one and only thing in the whole universe that completes his heart and is capable of preventing the space-time continuum of his consciousness from collapsing in on itself.



To be fair, that says a lot more than flowers and a box of chocolates ever will.

That memorable exchange on the phone during The Constant, with the pair of them quickly exchanging their undying, unyielding will to get back to each other is real sweep you off your feet stuff. Again, it’s another one of those scenes that provokes the lump-in-throat, something in my eye ridiculousness of being reduced to an emotional mess by little more than some actors on a television screen.

There are some flies in the ointment, mind. Whilst Desmond was in prison Penny went and met another guy and got engaged. We still don’t know who she got engaged to (or quite what she did with him before she decided to spend her time hunting for Desmond’s whereabouts on the Island). But perhaps the bigger problem facing Desmond and Penny, and denying them the top spot, is the sense that they’ve got nowhere else to go. . .



As of the end of Season 5 they were pretty much out of the picture. Shacked up on a boat, looking after baby Charlie, Desmond had a brief dalliance with the main plot but his last pledge to Penny, after he had been shot, was to stay the hell out of all Island-related business. As far as I know, for all I know, we may never see or hear from those two again. That means their story is done, and if that’s the case then the romantic grandeur they began with has slowly trickled away into a gentle sigh rather than an orgasmic moan. Ironically, if they hadn't got together they would probably be at number one. Like I said, if it wasn’t for Season 5 they might have nicked the top spot. . .

1. Jin and Sun

Lost’s first couple and, after all these years, still its best.



It took a while for us to warm to them, mind. Jin having his hands all bloody and Sun admitting that she was going to leave him before they boarded Oceanic 815 didn’t exactly make them perfect couple material. But then there was the phonetic book gift scene in Season 1. . .

I’m sure you remember it. It was after they had had a major bust-up after Jin found out Sun could speak English, and Jin was all set to go on the raft and leave her behind. Sun finally made a move to speak to him before he left, to give him a book she had made that would help him speak some rudimentary English to Michael and Sawyer. And it was with that gesture Jin admitted he still loved her, always had in fact, and he was only going on the raft to try and get help so he could save her. Bam! Not a dry eye in the house!



I'm a grown man. It's downright embarrassing what an emotional mess that scene makes out of me. Do your dignity a favour: if you can't watch it alone, make sure the lights are off!

Of course, when discussing how Jin and Sun are the first couple of Lost, we don’t mention this piece of shit scumbag.



He had his chance. He blew it. And then he came back after the fact when Sun was taken and decided he wanted some after all. Son of a bitch. At least he had the decency to kill himself.



God I fucking hate Jae Lee.

Since then however, triggered by the moment of intense gratitude Sun felt when she learned that her unborn child was definitely Jin’s (despite it meaning a death sentence) their love has been beyond reproach. As I said at the top, a couple’s importance to one another can be measured by how dreadful it is that they are apart. The poor bastards haven’t seen each other for years, and as of the end of Season 5 they’re in different bloody timeframes. But perhaps it’s that lack of conclusion is what keeps them at the top – above the likes of Desmond and Penny. The story of Jin and Sun isn’t over yet, and the hoped-for reuniting we are all waiting for is just one element that keeps us glued to our screens.

No question they’re Lost’s best couple. If Lost even considers not putting them back together forever by the show’s end then it will be nothing short of an outrage. An outrage I tell you! Just think of little Ji Yeon!

Top 5 Lost Seasons

Now that we’ve actually had five seasons of Lost I can do a Top 5 about them! Hurrah! So here I present, in order of LEAST IMPRESSIVE to THE BEST, the Top 5 Seasons of Lost. (I realise this is bound to cause controversy and disagreement – but that’s what the comments are for.)

Number Five: Season 4

It should be remembered that this was the shortest of the five seasons and was hampered by the writer’s strike, so Season 4 comes with it’s own in-built defence right off the bat.



As you may recall, Season 4 was pretty much the Season of the Oceanic 6, where we learned about who they were and how it was they managed to get themselves off the Island. And it was also the Season of The Freighties; their arrival on the Island and how the likes of Keamy and co threatened the whole thing.

In Season 4’s favour, the second episode that introduced the new Freighter people (Confirmed Dead) was a highlight, and remains the best introduction of new characters Lost has ever pulled off. Likewise, Keamy made for a terrific villain (compare and contrast with, say, Radzinsky – it’s no contest who was the meaner bastard).



When Season 4 was good it was very good. Episodes like The Constant (an instant classic and major highlight of the whole show) and The Shape Of Things To Come (time-travelling Ben summons a full-on Black Smoke attack before a showdown with Widmore – woo!) were heavyweight sluggers. But for every cracker, there were some duds – notably Eggtown (Kate in legal proceedings over – surprise! – custody of Aaron) and The Other Woman (Juliet sleeps with Goodwin and Ben minces with jealousy –



– before we are ‘treated’ to the worst Dharma Station ever: The Tempest). They also made a big pre-season song and dance about the return of Michael only to have him blow himself to bits having not really done much anyway. And the finale, with the last scene ‘Locke in a box’ conclusion probably would have been more effective if we had really believed Locke was dead. Turned out he really was, but at the time we figured it was just going to be a temporary thing and Locke would somehow be OK.

Season 4 was too short with too many bad patches and, as such, is considered the weakest of the bunch in my opinion.

Number Four: Season 2

If it wasn’t for a fairly weak first half, spinning its wheels in the mud for too long, Season 2 would have given me a serious headache about where to rank it. From the very moment Henry Gale dropped onto the screen with his ‘is he-isn’t he?’ dilemma the whole show ratcheted up a fantastic momentum.



Sayid tortures him and feels certain he’s a liar, whereas Locke takes him into his trust and stays on his side. Who’s right? Before the killer moment when the real Henry Gale’s balloon is found and the I.D. card shoved in Ben’s face, there was some terrific mindgames and tension going on – from Jack forcing Locke to give up the door combination as the button timer ran down which prompted this blood-draining-from-face dread reveal. . .



. . . to Locke pinned under a blast door, reliant on ‘Henry’ to reset the timer (did he? didn’t he?) before the BLAST DOOR MAP pulled our frantic eyeballs out on stalks. It was excellent drama based on character rather than pseudo-scientific blather. We were introduced to Dharma and pushing the button in The Swan, before the rug was pulled out from under us over at The Pearl and Locke lost his faith (not for the first time, not for the last). And there were other gem episodes in the mix (Maternity Leave - Claire, Kate and Rousseau taking a trip down memory lane to Claire’s abduction, The 23rd Psalm - Mr. Eko’s black-hearted gangster is confronted by the Black Smoke and we see it for the first time!).

And did I mention this:



To this day it remains the most starkly shocking end to an episode ever.

Sure, as stated, Season 2 had a weak first half, with a lot of filler material padding out the episodes after ‘the tailies’ had merged with the beach camp, and making Charlie a snivelling villain – a threat to Aaron! he and Sawyer attacked Sun! – don’t sit well in hindsight.

But there was that ace opening sequence with a then-unknown Desmond living beneath ‘the hatch’ just before the camera swooped up to where Season One had ended. And the Season started with the beep-beep of the timer and by the finish unleashed the devastating carnage of what happens when the button didn’t get pushed (“I was wrong,” Locke lamented, as hunks of metal flew around about his head). All that and there was this show-stopping kiss off:



Make no mistake, Season 2 was utterly tremendous once it got going, and not lightly did I place it this low down the pecking order – but there were others that were stronger. . .

Number Three: Season 5

Controversial? Maybe. I know a lot of Lost fans are still basking and rejoicing in this most recent Season being the best one ever. Well, they can have that view, but I don’t share it. It was great, for sure, but it was also riddled with flaws. I’ve said it before, but Season 5 really only does work well in hindsight. These fans extolling its brilliance now perhaps may be forgetting just how fucking annoying the show was watching it week on week.

Key question: Who were the people in the canoe that shot at Sawyer and Locke and co?

We don’t know. It was one revelation never shared with us (deleted scene?) and that really bugs me. It’s such frustration that was indicative of Season 5 as a whole. Whether it was Sawyer and co bouncing around in time, threatening paradox and sense-defying twists at every drop-point, or the convoluted Oceanic 6 return to the Island plot (there’s people after Sayid whilst Sun is keeping tabs on Ben who is killing Locke despite needing to re-create Oceanic 815 for Ms. Hawking. . . Jesus!)

Key question: What was in the box Ben retrieved from the ventilation of his motel room?

We don’t know. There were some weak episodes, like 316, where the biggest plot-clunk ever was literally shoed-in; Jack’s (too-young to really be) granddad just happened to have Christian’s shoes ready to donate. *cough* Bullshit! *cough* Also, if there are any more fucking mothers or fathers of passengers of Oceanic 815 or The Freighter kicking around then now is the time to declare yourselves because having someone else rock up and deliver a ‘bombshell’ about who they’re related to is getting real old, real fast. And don’t even get me started on what the hell this guy was doing alive and kicking.



So if there was so much wrong with Season 5 how come it placed at Number 3? Because despite its flaws, for sheer momentum and gusto and balls-to-the-wall fan-pleasing thrills and revelations, Season 5 was riotously good. Like the whole mini-sequence of Rousseau’s French team landing on the Island, being attacked by Smokey (so that’s how Montand lost his arm – holy SHIT!) before Robert went crazy-weird and got shot.

Dispensing with the drama-sapping flashbacks also meant every minute of every episode was intense and important. Watching Season 5 was more than entertaining, it was exhausting (you can induce a migraine just trying to track the movements of that bloody compass between Locke and Alpert over the decades). Throw in the awesome (especially in hindsight, now we know Locke really died) The Life And Death Of Jeremy Bentham or Ben’s showdown with the Black Smoke and there’s all the evidence you need for my statement that Season 5 was riotously good. But it really hit the motherlode with the introduction of these two:



In the Season Finale Lost shifted the goalposts, made us re-evaluate all of Locke’s actions since he returned to the Island and potentially set the stage for making us re-think what the whole show was about. It seems the crash of Oceanic 815 was way more important than anyone imagined – potentially bringing the key people that will swing the battle Jacob has with Nameless in his favour.

Like the reveal of the four-toed statue in all its majestic grandeur, Season 5, flaws and all, was awesome.

Number Two: Season One

OK, so probably you’re thinking ahead now, bristling with the realisation of what has taken the top spot. But we’ll get to that. For now let’s concern ourselves with the more laid back, methodical and wondrous first Season of Lost. Watching it now it seems slow, and concerned with stuff not really worth getting concerned about. Like can you imagine there being a whole sub-plot about wanting to get a game of golf going – and that this would be the climax of the episode!?



It’s unthinkable, now. But that’s what makes Season One great, because it was unburdened with the need to bring killer revelations and jaw-dropping twists. Back then we were anticipating each new episode purely in the hope that we’d get a spotlight shone on particular characters we’d encountered but never had a flashback for so we could find out their story.

It was great to see that the redneck bastard Sawyer was really a small boy inside with a fake name on a revenge mission. That Jin and Sun were a couple falling apart, with her able to speak English and him tortured by the despicable things he had been made to do out of his love for her. And how about learning Hurley was actually a millionaire with a curse, all linked to these obscure numbers – 4 8 15 16 23 42 – that were then revealed to be engraved on the side of ‘the hatch’. In one fleeting scene Lost blew our minds.



Indeed, they spent the final third of the Season digging up that bloody hatch and drove us all nuts about what was inside (and when Locke pounded on it and the light shone from within still kicks ass). And then, at the end, they had the raw nerve to not even show us what was down there! It was outrageous and frustrating and. . . and. . . and it made us love it, and kept us coming back for more, and we haven’t looked back since.

Sure, Season One has some eye-rolling, groan-worthy aspects (like Locke comparing Charlie to a moth (The Moth) or Kate robbing a bank for a model airplane (Whatever The Case May Be) and such standards of episode now would be absolutely flayed. But don’t go considering Season One as the poor, naïve cousin to its more showy later Seasons – when it needed to bring the goods it brought them big-time.



The real beauty of Season One is best exemplified by the episode Walkabout. Easily one of Lost’s finest, and it works because we don’t know about Locke. We slowly learn that this cool hunter on the Island wasn’t quite the same man before the crash – being a bullied office-worker using chatlines for company – but the sublime reveal of him rolling into view in his wheelchair, exclaiming “Don’t tell me what I can’t do!” is top drawer stuff. Forget having to appreciate the thing in hindsight, Season One works best first time - not something Lost can do easily anymore.

Number One: Season 3

I reckon I am alone in thinking Season 3 was Lost’s best. I think many rate it the worst, and I know that even Darlton consider it one where they went off the rails. And you know what? They’re dead wrong. Everyone and anyone that laments it is dead wrong. Season 3 is Lost’s finest.

Two words the naysayers will use: One is ‘Nikki’, the other is ‘Paulo’. A prime example of why Season 3 sucked. Again, I think they’re dead wrong. For one thing I don’t believe these characters were done justice (check out all the deleted scenes they featured in – if they had been used they would have been given a better chance at earning your affection), but what I really like is that they were allowed to fail on the show, and went out with the episode Expose that was brilliantly unnecessary.



Season 3 was one where they could toss out a fun episode like Expose – showing us the story so far from an alternate point of view and wrapping it up with an Edgar Allen Poe-esque buried alive horror ending (Nikki’s eye opens!). Lost can’t do that anymore. Can’t afford to. And it’s to the show’s detriment.

Another reason people didn’t like Season 3 was that six-episode ‘mini-season’ opener gambit they tried. Mainly dealing with Jack, Kate and Sawyer in various cages at the hands of The Others, it was basically the story of Jack being made to operate on Ben. For some reason viewers didn’t like this. Didn’t like seeing the polar bear cages, or having Sawyer conned as the reveal of the second Hydra Island was laid out, or watching Kate and Sawyer get it on whilst a pained Jack looked on. (I'm being sarcastic. Of course Lost viewers enjoyed it - they just forgot to mention it amongst all their moaning about having to wait in between episodes 6 and 7.)



Not to mention the fact that tucked away in these episodes was that bizarrely ace dream sequence of Locke’s; Boone turned up and wheeled him around an airport where all the various characters were symbolically depicted. It was fantastic and, once again, is precisely the kind of thing Lost doesn’t have time for anymore.

The ‘mini-season’ also allowed time for an extra season opener – the one where Juliet, having walked past Ethan, then pulled open the curtain to reveal she wasn’t on the Island but was in Miami! That was just ace, but probably you’ve forgotten all about it. (Incidentally, this was the same episode where Alpert first turned up.)

For all the knockout episodes of previous and later Seasons, I can present two episodes from Season 3 that are just as good, if not better: Flashes Before Your Eyes and The Man Behind The Curtain. Desmond’s mind time-travel into his own past played out like a self-contained tragedy (even knowledge of the future doesn’t save him from being doomed to his fate on the Island) and the story of young Ben’s arrival into the Dharma Initiative, culminating in ‘the purge’ played alongside him taking Locke on a trip to a certain cabin to meet a certain Jacob – a scene that ruled first time, but in hindsight now takes on a whole new level.



All this and I’ve not even mentioned other sensational moments: Mr. Eko’s bone-crunching death at the ‘hand’ of the Black Smoke; Juliet working her way into the beach camp and then at the end, whilst tying a double-cross in her tent rope, we learn Ben sent her there all along; Naomi landing on the Island and telling Hurley that Oceanic 815 had been found and all the passengers were dead; Cooper shoving Locke out of a building; Sawyer strangling Cooper; Desmond’s prophetic visions of Charlie dying being averted, only to be fulfilled in that heartbreaking sacrifice in The Looking Glass. All terrific, all in Season 3.



Weaknesses? Sure. Stranger In A Strange Land is the worst Lost episode ever, bar none. And that stupid stuff with the van and breaking the curse in Tricia Tanaka Is Dead isn’t too hot either (but it did introduce us to skeleton Roger ‘Workman’ and paved the way for Hurley to mow down Others in the Season Finale). But it’s the top and tail of Season 3 which really mark it out as a different class.

The opening of Season 3: The never-bettered sequence beginning with Juliet burning muffins to stepping outside to see ‘Henry Gale’ and the mid-air break up of Oceanic 815. . .



. . . before the gasp-inducing pull back showing ‘Otherville’ nestled on the Island. No Season Opener to any show has ever been that stunning. And the Season Finale? A nailed-on, cast-iron mindblower. Jack meeting Kate at the airport and five words: “We have to go back!”



It was a game-changer, all right. The best damn surprise Lost ever pulled. Jack’s story was a flashforward – a concept none of us had even considered and now one we take for granted. That, for me, was what Season 3 was all about – it made Lost the most exciting show around; the one with the coolest ideas and the best tricks up its sleeve. Pound for pound, episode for episode (one of which, quite aptly, is called Greatest Hits) Season 3 packs the goods. Marrying character-focus with grandstanding revelation, I doubt Lost will ever be this good for its final run. I hope I’m wrong.